Presented as a somewhat recognisable artefact, but subtly reframing certain codes and systems within its familiarity. The work deals with notions of formalism and uniformity specifically present in ballet and also more broadly. It is layered with an intersectional approach to various constructs and tropes, from its relationship to music, choreographic structures, hyper-physicality, gender politics, hierarchies, and artifice and ornamentation. It is also a celebration of the dancer’s dynamic versatility and their ability to combine and utilise their physical and creative skills within the shifting codes of dance language.